Chuah Kwai Pin / 0348376
Digital Photography and Imaging / Bachelor of Design (Hons) in Creative Media / Taylor's University
Exercises
LECTURES:
Week 1: Intro
For our first week's introductory class, we were given a brief of what Digital Photography and Imaging module is all about. Our first lecture explained to us why it is crucial to learn Adobe Photoshop.
The Importance of Photoshop for Graphic Designer
1) To express our creativity
> It leads us to an open door of countless opportunites, and the more we discover, the better we recognise our own capabilities
2) Create graphic design
> Other than creating aesthetic, eye-pleasing visuals, it is also useful for creating website formats and even for formatting of business cards, posters and so much more.
3) Restoration of old Images
> This software can also bring back old photos by using healing brush, clone stamp as well as patch tools to make it new again
4) Integrate graphics with text artistically
> It is common to find images combined with significant messages, and Photoshop has great adaptabilities which helps convey the messages in its preferred impact.
5) Make use of brushes
> With a choice of more than thousands of brushes, it is very convenient and saves a lot of time when creating the artwork.
6) Change photo colour
> With the image editing tool, transforming colours of images and adding effects to bring out a distinct appearance are made possible.
7) Rectify mistakes in photographs
> Using the Photoshop tools, it is possible to conceal weak points and heighten the aesthetic allure of the photos.
We also learned about the times before Photoshop was invented and how photograph was manipulated manually back then.
As included in our module name, we were also given the definition of Digital Imaging. Digital imaging converts the printed text, artwork, and photographs into digital images using a scanner of imaging device. It also consists of different techniques and its specific purposes including removing details, inserting details, photomontage and false captioning.
Week 2: Introduction to Composition
For this week's class, we were introduced to the basic compositions that we must be familiar of in order to produce great works.
1) Focal Point
> Helps viewers' eyes naturally settle on the important pieces of you design first.
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| Fig. 1.1 Focal Point |
2) Scale & Hierarchy
> Drawing attention toward and away from certain elements, signifying their importance to the communication.
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| Fig. 1.2 Scale and Hierarchy |
3) Balance the Elements
> To master asymmetrical balance, think of each element as having a 'weight' to it.
> Smaller objects 'weigh' less, heavily textured elements 'weight' more than flatly coloured elements.
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| Fig. 1.3 Asymmetrical Balance |
4) White Space
> 'Empty space' to balance up main focus of a composition.
> When used strategically, can help boost your design's clarity and overall look.
> Balance out busy parts with space to help your design breathe.
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| Fig. 1.4 White Space |
Rule of Thirds
> Process of dividing an image into thirds.
> Imaginary grid yield nine parts with 4 intersection points, and when placed at the 4 intersection points. it produces a more natural image.
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| Fig. 1.5 Rule of Thirds |
Golden Ratio
> Fosters organic and natural-looking compositions that are aesthetically pleasing to the eye.
> Creates and appreciates sense of beauty through harmony and proportion
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| Fig.1.6 Golden Ratio |
Week 3: Introduction to Photoshop 2
For this week's lecture, we were introduced to lasso tool, pen tool and layering.
Lasso Tool
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| Fig. 1.7 Lasso Tool |
- Lasso
- Polygonal Lasso
- Magnetic Lasso
Pen Tool
> Can be used to create extremely precise shapes and paths.
Layering
> Different images stacked on top of each other and can be used without affecting another one to make adjustments.
> Can use layers for non-destructive editing. It will never destroy the original image.
> The layers contain all the extra information and / or images you want to add to the original file.
Week 4: Introduction to Photoshop 3
> A group of super useful, non-destructive image editing tools that add colour and tonal adjustments to your image without permanently changing its pixels
> When you add adjustment layer to your image, a properties panel will appear and allow you to modify your adjustment layer, which modifies your image
1. Brightness / Contrast
- Makes adjustments to the tonal range of your image.
- Brightness slider: adjusting the highlights in your image.
- Contrast slider: adjusting the shadows in your image.
- Modifies tonal values by adjusting the levels of shadows, midtones and highlights
- One of the most used tools in adjustment layer panel.
- Lets you adjust as many points as you want throughout the entire tonal range of your image.
- Lets you adjust exposure levels with 3 sliders: Exposure, Offset and gamma.
- Exposure: adjust highlights of the image
- Offsets: adjusts mid tones
- Gamma: adjust the dark tones only
- Selectively modifies the amount of a primary colour without modifying the other primary colours in your image.
> Photoshop offers a virtually unlimited variety of filters for this purpose.
INSTRUCTIONS:
PRACTICAL:
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| Fig. 2.1 by Olga Khaletskaya |
This digital collage work done by Olga Khaletskaya was a well-expressed piece that contained a message which can be interpreted differently by every individual. At first glance, the use of analogous colours was what captured my attention as it was pleasing to look at. Looking deeper, I also notice the principle of repetition used for the woman in black and white and I think it emphasises on what the piece is trying to convey. "Listening from one party only results in brainwash which indirectly creates duplicates of the same individual."
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| Fig. 2.2 by Jaqualine Hall |
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| Fig. 2.3 by Eugenia Loli |
Another digital collage work done by Eugenia Loli with interesting combination of nature and sleep. Honestly, I took a first look at this collage work and immediately thought it was brilliant. The highlights and shadows of the trees play a role in creating contrast to give focus to the girl on the pillow. Usually, we have a fixed perception that trees and grass are spiky and uncomfortable to lay on. However, this collage work makes the woman look so at ease and comfortable under those layers of lush greeneries.
Bezier Game: Pen Tool
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| Fig. 3.1 Physical Collage Pre-Compositions |
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| Fig. 4.1 Using Lasso Tool |
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| Fig. 4.2 Using Magnetic Lasso Tool |
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| Fig. 4.4 Using Lasso Tool then Select and Mask |
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| Fig. 4.5 All 3 tables selected and masked into another picture |
After learning about pen tool and lasso tool in the previous week, this week we learned about adjustment layer and filters. We also worked on Project 2 at the same time while getting to know adjustment layer and filters. We were given 2 images, one on Shazam and another on Hearst Mansion. For Shazam, we had to select and mask it so that we could insert him in the Hearst Mansion.
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Fig. 5.1 Select and Mask Shazam
We were also given another image to try with, using the refine hair option and adjusting some of the details using a refining brush tool.
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| Fig. 5.2 Refining details |
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| Fig. 5.3 Edit of Shazam in Hearst Mansion |
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| Fig. 6.1 Double Exposure Exercise |
Week 6: Exercise
| Fig. 8.1 Photoshop File before animation |
For my first try, I played around with the position, scale, rotation and opacity of the separate elements. At first I was very confused how to properly import the Photoshop file, but after some guidance, the elements appeared separately and I was able to use keyframes to animate them.
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| Fig. 8.3 First Animation |
For my second animation, it is similar to the first but I changed the rotation keyframe for the fencer to shorter duration to match other graphic elements. I also included Motion Blur and used Easy Ease for the keyframe animation so that the elements flow in smoothly.
| Fig. 8.4 Enabling Motion Blur |
| Fig. 8.5 Using Easy Ease for the keyframe animations |
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| Fig. 8.3 Second Animation |
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| Fig. 9.1 Yowa levitating |
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| Fig. 9.2 Yowa levitating 2 |
For this yoga animation, it was created using frame animation. We also made use of puppet wrap to change the posture of the lady by a little so it looks like it is moving.







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